PRESS

“A name to remember,” wrote Christian Peter after hearing him in Luisa Miller in Tours in 2024, and he was absolutely right. Anthony Ciaramitaro gives us a generous, virile, ardent, sensitive, and courageous Mario Cavaradossi. His voice is broad, at ease throughout its entire range, ample and flexible, with a pleasing timbre and impeccable style. The American tenor of Italian descent rivals the very best. Naturally, Recondita armonia and E lucevan le stelle are performed with mastery… from beginning to end, musical bliss abounds.

Anthony Ciaramitaro is a highly credible Cavaradossi. His voice is refreshingly vibrant, pleasing to the ear, and perfectly controlled. The high notes soar effortlessly, but never at the expense of phrasing, and every word carries its weight and color. It takes real talent and sensitivity to utter the "e un passo sfiorava la rena" of his lament with such melancholic emotion.

Anthony Ciaramitaro delivers an equally valiant and fiery Mario, fully committed to embodying a passionate and impassioned character, both in his relationship with Tosca and in the face of Napoleon's conquests. His vocal instrument is as broad as it is powerful, consistently expressive, and robust, even at the highest registers.

Anthony Ciaramitaro’s Rodolfo is passionate and impulsive; his voice, rich with warmth and clarity, soars easily through the garret and breaks my heart in the process. His duet with Olivia Boen’s Mimì was tender to the point of intimacy. It was so personal at times it felt almost intrusive to watch.

Anthony Ciaramitaro as Rodolfo, has a rich Italianate timbre with clarion high notes and the power to cut through Puccini’s big tuttis; “Che gelida manina” was beautifully phrased with a climatic, sustained, ringing high C.

Anthony Ciaramitaro is a tenor making an impact at the beginning of his career and can nail the top notes with the best of them: he has no problem with topping out the full orchestral sound spectrum, and he’s also believable as a young man with much to learn of real life.

Anthony Ciaramitaro conquered the audience with a vocal texture of great charm, characterized by a warm color rich in nuances. The phrasing, imbued with passion and precision, proved to be particularly suitable for giving life to the torment and nobility of Gabriele Adorno. His vocal expansion and interpretative intensity have given the character a dramatic dimension of considerable impact, revealing a rare expressive capacity.

Anthony Ciaramitaro is a masterful Gabriele Adorno: extraordinarily convincing both as a singer and as an actor, he has his moment of greatest splendor in the second act in the famous aria "O inferno! Amelia qui!”.

Ciaramitaro expressed the full gamut of Don Carlos’ emotions, from his gentleness to anger, discouragement to mania, leading towards a growing sense of maturity touching on heroism.

Anthony Ciaramitaro (Pinkerton) has a clarion, Italianate tenor with a tireless upper-register, and a confident stage presence.

Antony Ciaramitaro shows off a large, full-bodied and beautifully colored instrument, very suitable for the role. He is a passionate Alfredo, handsome and convincing from all points of view, starting from the careful attention to phrasing; the duet with the protagonist in "Parigi, o cara" has a great emotional impact, in which the complicity and amalgam between the two are palpable.

A happy surprise was the tenor Anthony Ciaramitaro, making his debut in the role and in a European theatre, who showed off a vocal mix of beautiful color and a passionate phrasing very suitable for the role of Alfredo…it cannot be denied that in passages such as the aria in the second act or "No, non morrai, non dirmelo" the vocal and interpretative expansion were of great impact.

Anthony Ciaramitaro is one of the great triumphants of the evening…(with) a broad and powerful voice, with beautiful projection and a flattering timbre. His grand aria “Quando le sere al placido” is performed with exemplary confidence and sense of expression. Throughout the evening, we remained dazzled by the quality of his singing, the accuracy of his style and his craft. A name to remember.

Ciaramitaro has a powerful tone loaded with a passion that cuts smoothly over the orchestra. I was invested in the character and wanted Giorgio to win Micòl’s heart, and I felt it in my own when he couldn’t…Ciaramitaro worked the nuances of his character and had so sucked me into Giorgio’s life that he became real—authentic enough for me to want to throttle him for his actions. This is the highest compliment I can extend to an actor.